Thursday, January 8, 2015

A Lao Weaving Demonstration: Celebrating 60 Years of Philippine-Lao Bilateral Relations

- January 8, 2015, Thursday.

- To kick-start the new year, the National Museum, in cooperation with Senator Loren Legarda (senator, advocate of Philippine indigenous cultures, and patron of the Hibla ng Lahi Gallery of the National Museum,) decided to deviate from the usual demonstration of Philippine textiles, and invited weavers from Lao PDR. I felt very fortunate to have seen the poster from the National Museum Facebook page (click here,) so I was able to make myself free for today's event. Apart from the usual afternoon demonstration, a special lecture was also held to formally open the event. They decided to organize this primarily because of the ASEAN integration this 2015, and coincidentally, to celebrate 60 years of diplomatic ties between Lao PDR and the Philippines.

Event poster.
- This is my second time to attend a weaving demonstration at the Hibla ng Lahi Gallery in the National Museum; the first time I attended was last November, when the Tausug women from Mindanao were asked to show how the pis syabit fabric is woven (click here.) However, I was pleasantly surprised that the staff of the gallery still remembered me, especially the lady guard. Later on, the guard even started calling my by name. I think I made such an impression on them when I volunteered to put on some of the Tausug woven products on myself, and even danced the Tausug's pangalay dance for them.

- This morning, I wore my traditional Lao sash that I got during the PICC International Bazaar two years ago, and probably I carried it too well, or because my face looked "different," I was mistaken as a Lao person, or a representative from the Lao Embassy by the Lao weavers, some museum staff, and even Senator Legarda and her staff members.

Mme. Chansamone preparing some items for sale before the lecture.
- The lecture started very late, with Mme. Keobunma Phetmalayvanh starting off with a brief introduction about the National Museum of Lao PDR, where she serves as the director-general. Apart from this, she also mentioned the significance of Lao traditional weaving - that this art highly embodies many aspects of Lao culture, from stories, proverbs, mythologies, or values.

Mme. Phetmalayvanh's lecture on the museum.



Mme. Phetmalayvanh and Mme. Chansamone.
- Mme. Keomoungkhoun Chansamone and Mme. Nanthavongdouangsy Kongthong, both weavers, gave more detailed explanations about the designs, styles, and stories surrounding the weaving art. Mme. Kongthong gave a longer lecture, since she has been weaving for a longer time, and is currently a "master weaver" in Lao PDR, and is also granted the status of "national living treasure" of the Lao government. Mme. Kongthong is also the owner of Phaeng Mai Gallery, a textile gallery and store located in Vientiane, Lao PDR. Mme. Chansamone on the other hand was originally a woodcut artist, and has just started weaving a few years ago.

Mme. Chansamone.
Mme. Kongthong.
Three things Lao women need to learn.

Some patterns of horses, snakes (nagas,) flowers, and buffaloes.
- After the lecture, the ambasadress of Lao PDR, H.E. Malayvieng Sakohninhom, gave her short message, as well as Senator Loren Legarda herself. Both expressed how all ASEAN countries must be more aware of the cultural similarities among all countries.

H.E. Malayvieng Sakohninhom.
Senator Legarda wearing a Lao sash.
Presenting the certificates.

With H.E. Sakohninhom.
Senator Legarda surrounded by Lao women.
And yours truly with the senator. See, our sashes match.
- Just before everyone headed out for lunch, we all took a look at some of the woven products for sale. As all of them are "museum price," all the products had heart-wrecking prices. The big malongs that can be turned into skirts were worth 500 USD each. (Even Senator Legarda was shocked with the price.) However, those silk malongs were done with extremely-detailed embroidery, with an almost embossed feel, so no wonder they all cost a lot. The more "wallet-friendly" items for sale included small handkerchiefs, wallets, or coin purses, but those small items already cost somewhere between 300-600php. As for me, I was able to spot three scarves that cost merely 450php, the cheapest among all the scarves, so I grabbed one in no time and bought it.

The sash alone was worth 2500 USD.
Her Excellency checking out the products.
Such awesome detail.
The patterns look like they're embossed.
With master weaver, Mme. Kongthong.
With the Lao VIPs.
- I went out for lunch, and came back early, so I was able to enjoy a few cups of blue Lao tea. The tea, brought by the Lao visitors, was made from flowers traditionally used to give blue dye to the silk (all the silk they made, had, and sold were naturally-dyed.) Too bad I was not able to catch the name of the flower, but it had a light fragrant scent, unlike hibiscus tea.

Blue tea. It's delicious, trust me.
- Senator Loren dropped by once more after lunch for the weaving demonstration. While the loom was being set up, the examined the items for sale once more. She also did a small interview with the weavers.

Senator Legarda chitchatting with the Lao guests.
Just putting it on, no plans of buying. $500 is a wallet-killer after all. Haha.

- When the weaving loom was set, the loom being one of the antique Philippine looms exhibited in the gallery, Mme. Kongthong did a small show-and-tell of some textiles before actually going on the loom and to start weaving. Since Mme. Kongthong is also a weaving teacher, she gladly asked for volunteers to try weaving. Of course I was one of the volunteers. The only thing we were taught to do was to pass a wooden stick through the threads, the stage before the flying the shuttle. It may seem easy, but the threads were hair-thin, and tightly packed beside each other, so for beginners, it would have taken forever. The worse part? When we would ask Mme. Kongthong to check and apparently we had make a mistake in one of the earlier threads. It was a tedious job, but definitely an interesting experience. Mme. Kongthong kept encouraging us, and told us to not be afraid of making mistakes, because it is through making mistakes that we all learn.

Double weft weaving. It represents the waves and nagas.
About to start to weave.
The senator looks intently.

This is a really tricky step. Putting the bamboo through the threads.


Finger dexterity is a must.
She said that the loom is quite shaky. (Probably because it's antique.)
"Combing" the threads.
MY TURN!!!!
I look like a pro but no it's not that simple.
The "master weaver" while the real master weaver is being interviewed.
- The session ended around 4 something, and after the Lao visitors invited everyone for the second day of the demonstration the day after. Tomorrow's special treat? A traditional Lao dance lesson. I would gladly want to visit again, if it only wasn't for the Feast of the Black Nazarene, which meant chaotic Manila roads. Even though I feel devastated about not attending tomorrow, I was able to learn a lot during my day at the National Museum - oh yeah, I forgot to mention, I was able to have my entrance fee waived because I was attending the event - and I was also fortunate to meet and interact with many important people within one day.  

Monday, December 15, 2014

The "United Asian" Christmas Party: The UP Asian Center Christmas Party 2014

- December 15, 2014, Monday.

- Before anything else, this post is a semi-personal (??) post, but a very cultural one. It might not be an adventure post like what I usually write, but the photos will definitely be a feast for the eyes, just like how Christmas is supposed to be.

- Today, the UP Asian Center held its Christmas party right before the UP Diliman's annual lantern parade, as always. I was not able to join in this year's parade because of some personal matters, but at least I had the time to attend the Christmas party.

A photo with the sarimanok lantern of the Asian Center.
With my classmate Denzel. We're (so far) the only South-Asian majors in the Asian Center, 
- The Asian Center encourages its students to wear traditional Asian costumes during the party and the lantern parade. In line with this, there is of course the yearly Asian-costume contest for the students who have put on their costumes. However, the party organizers have once again banned me from joining the costume contest because of my reputation as a traditional-attire collector, and as a regular wearer of (casual) traditional clothes (I was assigned as one of the judges for the contest though.) Despite these circumstances (being banned and not being able to attend the parade,) I still chose an elaborate costume for this year's party, so I can outdo what I wore in last year's party and lantern parade (click here to see;) I decided to wear my Korean samulnori/pungmulnori costume. The samulnori or pungmulnori is a kind of Korean folk music using an ensemble of traditional percussion instruments, accompanied by chanting/singing, and dancing. This form of performing art originated from the rural farming communities of Korea, and is done during harvest, and other local celebrations. Those who participate in the pungmulnori ensemble dress in a particular costume with plain solid colors, normally blue, red, and yellow, symbolizing heaven, earth, and humanity respectively. Perhaps, the most interesting and notable feature of the samulnori/pungmulnori costume is the "sangmo," or the hat with the wire and ribbon. Dancers would skillfully shift their center of gravity, and use other body movements to make the wire/ribbon of the sangmo spin. I am not a professional sangmo dancer, and I have not attended any workshops, so trying my best to make the ribbon spin was one of the things I attempted to achieve in my vacant times during the party. (Last night, I was able to find one website that had a written tutorial, without visuals, about making the sangmo's ribbon spin. It was hard since I had to visualize the written instruction, but I think I nailed it for a beginner. I just can't make it spin quickly like the pros do.)  

One of my early attempts to make it spin.
- I felt that this year's Christmas party was a bit quieter than last year's. Oh, I was also assigned to be the emcee the last minute, so I tried hard to make the party alive. We had a few games after having some good food, but the highlight of course, was when the other students changed into their costumes. Compared to last year, this year's costumes had more variety.

Pinoy Henyo.
Trip to Jerusalem.
Another attempt in making it spin.
With my classmates and friends.
The United Asian Alliance: India, Japan, Thailand, Myanmar, India, Korea, Japan, Japan, and Undecided (Nica was undecided about what her outfit represented.)
Friends I haven't seen in a long time.
The participants of the costume contest. The kimono-wearing Japanese major (second from right) won. She had a kimono with an obi sash, a matching Japanese bag/purse, and Japanese sandals.
- Just before the party ended, I was able to encounter the igal-igal dancers who would be performing during the judging of the lantern in the parade. Since the heavy rain came, I was able to talk to them and have a short crash course on the igal-igal dance while waiting for the rain to go away, and while the staff was still preparing the lantern for the parade. I was able to catch up a bit during the crash course, since I attended a pangalay workshop previously (click here,) The pangalay is a dance from the Philippines' Tausug group, while the igal-igal hails from the Sama-Bajau group that resides in the Malayo-Philippine group of islands. The pangalay and igal-igal are closely-related dances, are distant "cousins" of the court dances of other Southeast-Asian countries, with all of these originating from classical Indian court dances. 

With one of the small Asian Center lanterns.
With the igal-igal dancers.
South Asian majors with the igal-igal dancers.
- The rain stopped shortly after my crash course, and as the lantern rolled away to the holding area of the parade together with the nicely-costumed staff, professors, and students, I went home. Right now, I am still dizzy from all the sangmo workout I did during the day. I was able to make it spin, so I'm happy.